Publications

The fourth volume of the magazine SCAENA, edited by the Museum of Lisbon – Roman Theatre, is, for the first time, an issue open to all who felt the need to participate and thus features no set topic.
The issue’s eight texts on varied subjects by a range of authors focus on themes as diverse as the importance to the city of the river and the sea, its supply of ice, and studies in ceramics and archaeological interventions in the area surrounding the Theatre.

Exhibition catalogue on display at Padrão dos Descobrimentos, between May 2022 and February 2023, which intended to show the succession of urban plans and architectural projects designed for Praça do Império after the Portuguese World Exhibition in 1940.

An (almost) quarterly magazine, where you can find out about São Luiz’s programming, the artists who perform there, those who visit the house and also what moves its team on a day-to-day basis, its purposes and its work backstage. Three times during each season, a new edition comes out, with stories, interviews, reports, memoirs and with everything that fits in São Luiz.
You can order a physical copy at the Theater or read it here.

The Museu Bordalo Pinheiro launched the nº0 of “A Nova Paródia”, a new humorous newspaper inspired by “A Paródia” (1900-1907), the last and iconic periodical created by Rafael Bordalo Pinheiro.

Catalogue that documents the individual exhibition by Ilídio Candja Candja, “Octopus and Myopia”, curated by Rafael Bordalo Mouzinho, which was on show at Galeria Quadrum between 24 March and 27 June 2021. It contains photographic documentation of the exhibited works.

Catalogue of the exhibition “Novas Novas Cartas Portuguesas” shown at Quadrum Gallery between October 13, 2022 and February 26, 2023. It includes the reproduction of an interview to Simone de Beauvoir by Maria Teresa Horta, and the reproduction of the works exhibited in the exhibition.

Catalogue of the homonymous exhibition for which the ceramist Delfim Manuel created 13 pieces dedicated to Saint Anthony. In addition to these as yet unseen works by the artist, this exhibition was also an opportunity to revisit works from over 25 years of this ceramicist’s career, in which he creates a unique image of Saint Anthony every year reproduced in small numbered series.

Catalogue of the exhibition “Disquietude. Architecture and Energy in Portugal”, curated by common room, at Galeria da Índia between 17 November 2022 and 12 February 2023.

Fifth issue of the “Cadernos de Bordalo” collection, which aims to disseminate a set of reflections related to Rafael Bordalo Pinheiro, his work and his time. In an essay of more than 150 pages, the theme of comics is addressed in the work Rafael Bordalo Pinheiro.

This publication is the result of the online programme “Uma peça a quatro mãos”. Part of the educational service of the Galerias Municipais de Lisboa, this programme, which took place in 2021 during the pandemic period due to the SARS-CoV-2 virus, was aimed at children and young people who were at home due to the closing of schools.
The encounters flowed in a intimately public way, whose images reproduced here are the testimony of the unique experiences of the allowed proximity in such troubled times.

Catalogue of the exhibition “Júlio Pomar: Pintura de Histórias” which brought together about forty works, mainly painting, and sought to show how Júlio Pomar, since the 1980’s, has explored the various narratives, stories and myths that make up an enormous legacy of cultural references.

This book brings together around 25 letters and postcards exchanged between Menez and Júlio Pomar, from 1972 to 1982, found in the documentary assets of the two artists and provided by their respective families and heirs.
“Menez | Pomar CARTAS” follows on from the exhibition “Imagem em Fuga: Júlio Pomar, Menez and Sónia Almeida” which took place at the Atelier-Museu Júlio Pomar between November 2021 and April 2022.

Text of the show “Se te portares bem, vamos ao Macdonald’s” which passed through TBA in October 2022 and is Mário Coelho’s most recent creation.

Catalogue of the group exhibition “This is a Bar… or Praia de Banhos – Joaquim Bravo, Tourism and the Algarve” (curated by Diogo Pinto), which was on view at Galerias Municipais – Pavilhão Branco from 14 April to 21 August 2022. This publication includes artist biographies and photographic documentation of the works exhibited.

The 36 artists showcased in the exhibition «Artists on stage at the Roman Theatre» are the protagonists of its catalogue that includes articles on the artists themselves, the artistic production in Roman times, as well as the territory in which the monument was implanted.

The catalogue of the temporary exhibition “The Roaring Twenties in Lisbon” brings together texts by several authors, including the exhibition curators, who reflect on a decade of profound social and cultural transformations at a global level and with limited and specific expression in Lisbon.

Compilation of texts about the Lisbon expert José Sarmento de Matos, following a colloquium organized by the Museum (in 2019).

Presentations from the meeting “Mediação Cultural – aprendizagens para todos” (Cultural Mediation – learning for all) in October 2018 – organized by Museu de Lisboa (Museum of Lisbon) and Museu Nacional de Arte Antiga (National Ancient Art Museum).

Catalogue from the exhibition “Animais – coleção Museu da Marioneta | coleção Francisco Capelo”, on display at the Puppet Museum (Museu da Marioneta) from July to November 2022. Images of all the pieces are presented as well as framing texts.

Photobiography of a performer, author and composer, with almost a hundred lyrics and a lifetime of passion for music. A name that the history of Fado cannot forget, at the risk of losing one of its most emblematic creators.

Catalogue of the exhibition Cemetery of Anchors, a project by the artists Veronika Spierenburg and Nuno Barroso, which was on view at Galeria da Boavista between April 13 and June 20, 2021. This publication includes installation views as well as transcriptions produced from oral testimonies, recorded between 2017 and 2021, of members of the fishing communities that the artists visited during their research trips along Portuguese coasts.

This book brings together around 30 drawings by André Ruivo produced during his participation in the 2nd edition of the museum’s Artists in Residence Programme. Among several items, dialogues with Bordalo, conversations with neighbors and political cartoons are exhibited.

Was Rafael Bordalo Pinheiro an artist or a journalist? Looking at the enormous artistic legacy he left behind, the question seems almost scandalous: Bordalo was an artist, and one of the greatest! But he also revolutionized journalism over the course of 35 years.
This work summarizes the values ​​that guided Bordalo Pinheiro as a journalist – independence, creativity, innovation and critical thinking.
The book is also part of the collection “Cadernos de Bordalo” aimed to disseminate a series of reflections linked to Rafael Bordalo Pinheiro, his work and the times he was living in.

After the success achieved by the first volume “Brincar aos Fados” (first a record and afterwards a book), which explained the universe of this musical genre to children and young people, this edition is dedicated to Amália Rodrigues, considering her importance for understanding the Fado that is made today.

Journal of the exhibition “The Miracle of Laughter. Saint Anthony by Bordalo” (Museum of Lisbon – Saint Anthony between February and May 2022). Reveals the presence of Saint Anthony in the work of Bordalo Pinheiro and reflets its relevance in Portuguese culture throughout time.

A book edition of the previous digital project by Isabel Brison, which will take the readers on a journey through a contemporary city that questions itself and the meaning of its public statuary.

Catalogue documenting the homonymous exhibition, gathering works by João Vasco Paiva, Heman Chong, Ramiro Guerreiro, Ko Sin Tung, and Magdalen Wong at Galeria Avenida da Índia, between 9th April and 13th June 2021.
This publication features photographic documentation of the works exhibited.

Catalogue of the homonymous exhibition that continues the exhibition program of the Atelier-Museum, which regularly seeks to cross-reference the work of Júlio Pomar with that of other artists, in order to establish new relationships between the painter’s work and contemporaneity.
This exhibition considers the way in which the work of Júlio Pomar intersects with the work of Menez, with whom he maintained an epistolary and artistic relationship of great complicity and admiration, and of a painter of a younger generation, Sónia Almeida.

On 12 May 1982, Pope John Paul II inaugurated the statue of Saint Anthony by Domingos Soares Branco in Largo de Santo António da Sé.
The Museu de Lisboa – Santo António marks the 40th anniversary of this event with the publication of a study about the work of the sculptor Soares Branco in Lisbon and about this emblematic statue of Santo António.

A publication that gathers photographs of the thrones and its authors, participants of the street exhibition Thrones of Saint Anthony: a yearly event held throughout June, in which the Lisbon population pays homage to Saint Anthony.

With his careful and accurate trait, Rafael Bordalo Pinheiro showed and criticized the portuguese political and social life at the end of the 19th century.
In this notebook we will, first of all, present various uses and configurations of gestures in general. Then follows a more detailed description of an obscene gesture to which the artist gave great visibility (the manguito) – its origin, forms, functions, meanings and uses.

This book is a result from a programme of reflection and discussion about the models and paradigms of action in the face of the inexistence of a single and objective truth.

Text of the show “Solo”, co-produced by Teatro do Bairro Alto, premiered in January 2022. In this show, Teresa Coutinho tries to assess how theater and cinema contributed to the construction of her idea of ​​what it means to be a Woman, in terms of image, ​beauty, strength or vulnerability.

Catalogue documenting the homonymous exhibition, curated by Julia Coelho and Renan Araujo, which was on view at Galeria da Boavista between 6 November 2021 and 30 January 2022. Contains photographic documentation of the works exhibited.

The third edition of the scientific magazine of the Museu de Lisboa – Teatro Romano, entitled “The river as a horizon: the other stage of the Roman theater”, brings together the texts of the lectures that took place on site, between January 2020 and March 2021, launching the debate on the importance of the river Tagus for the city of Lisbon.

A comic strip about the history of Fado that covers the history of this musical genre, from its origins to its current performers. Preface by Rui Vieira Nery.

“She gave it to me I got it from her” is a book that Clara Amaral choreographed in the performance of the same name that Teatro do Bairro Alto and Alkantara Festival presented in November 2021.
A book that is a choreography, about three generations of women in their family and what they transmit between them.

The first volume of the Castelo de São Jorge Collection has as its main objective to refocus the attention, of both specialists and the public, on this emblematic national monument.
The book brings together 110 texts and documents from national and international archives and libraries, arranged chronologically and revealing the most remarkable episodes in the evolution of the fortification over time.

Through an original approach to the history of resistance and clandestinity during the dictatorship of the Estado Novo, a set of texts, illustrations and audios (accessible through QR codes) bring to life a varied selection of historical documents, honouring all those who fought for freedom.
This book is the result of a partnership between the Museu do Aljube Resistência e Liberdade and the publishing house Santillana.

Catalogue of the homonymous exhibition that was on view at Galeria Quadrum, between July 25 and October 4, 2020 (curated by Vanessa Badagliacca and Giulia Lamoni). This edition features texts, interviews and photographic reproductions of the exhibited works and a specially commissioned envelope print by Maura Grimaldi.

With this publication, the Museum of Aljube (Museu do Aljube) intends to evoke and honor the mortal victims of the Military Dictatorship and the Estado Novo between 1926 and 1974, telling a little of their history and showing their faces.
At the same time, aims to be an element of support for the long-term exhibition of the Museum, following the objective of systematizing and compiling existing information, produced with various contributions over the years.

Once upon a time there was a writer, an illustrator and an artist… who met at the Bordalo Pinheiro Museum. That meeting resulted in an edgy book that begins with a question: “Bordalo, what do you have to tell us?” inviting us to visit the Museum and discover new meanings in the artist’s work.

Catalog of the exhibition “Visões do Império” (16 May to 30 December 2021, at Padrão dos Descobrimentos) where a multifaceted collection of photographs is presented, accompanied by brief contextualization texts, which give us new perspectives about the Portuguese colonial empire.

Work published on the occasion of the homonymous exhibition reflecting on the way Júlio Pomar thought about the artistic genre of “Portrait” over more than 70 years.
There are more than 50 works of painting, drawing, sculpture, assemblage, some never shown before, coming from the Atelier-Museu Júlio Pomar, from several private collections and from the artist collection in the possession of his family.

Joaquim Eusébio offers us a corpus of more than 300 tile panels, produced in the 17th and 18th centuries, with the representation of miracles and remarkable episodes of Saint Anthony life.
This work reveals to the public the true dimension of a tile heritage dedicated to the saint who was born in Lisbon and who became the best known Portuguese in the world.

Catalogue of the group exhibition, which was on view at the Pavilhão Branco between 30 June and 31 August 2021, and has been curated by the collective of curators of the Postgraduate Course in Art Curatorship at Universidade Nova in Lisbon.
It contains reproductions of the exhibited works.

This publication accompanies Pedro Calapez and Alexandre Conefrey’s exhibition, on view at the Pavilhão Branco between 18 September and 14 November 2021, curated by Sérgio Fazenda Rodrigues.
It contains reproductions of the exhibited works.

This publication accompanies the “Collective Exhibition for a Single Body -The Private Score”, on view at Quadrum Gallery from September 16 to October 24, 2021, curated by Pierre Bal-Blanc. It contains short presentations of the artists and the works exhibited, as well as their respective reproductions.

This guide is much more than a description of the scenic monument, documenting the moments before and after its disappearance. Thus, it is also a landmark on the city´s history, beginning in the distant 4th century BC in the Iron Age and ending in the 19th century, with the opening of Rua de São Mamede and the construction of its buildings, as the present day Museum’s reception.
A journey into the city’s past with the Roman Theatre in the leading role.

Catalogue of the exhibition Air Pillars, a solo exhibition by Dalila Gonçalves, which was on view at Galeria Quadrum between 17th July and 29th August 2021. The exhibition has been curated by Luísa Santos. This publication features photographic reproductions of the works exhibited and a record of their installation.

Publication referring to the exhibition “Parting with the Bonus of Youth – Maumaus as Object” that was on view at Galeria Avenida da Índia between June 22 and September 8, 2019. It contains installation views from the exhibition.

The text in this catalogue seeks to put the European Collections of the Puppet Museum (Museu da Marioneta) into historical and cultural perspective.
The author has made a brief temporal and geographical journey with the purpose of establishing links between puppets, history and cultural movements.

Book inserted in a collection of interviews that started with Júlio Pomar in 2014 and, over the years, continued with other artists.

Scientific magazine, published annually, by the Museum of Lisbon – Roman Theatre (Museu de Lisboa – Teatro Romano), which presents topics related to archeology. This issue is dedicated to the life and work of the archaeologist Irisalva Moita.

In 1798, Manel and Chico discovered, in Lisbon, the ruins of a Roman Theatre, which generated a great disagreement! Chico wanted to preserve the Theatre, but Manel ended up building a street on top of the ruins… was the Roman Theatre lost forever?

The publication “Networks, Collaboration & Resistance in/Between Portugal & Brazil, 1962-1982. Works From the Arquivo Fernando Aguiar & The Coleção Moraes-Barbosa” accompanies the exhibition Networks, Collaboration and Resistance in/between Portugal and Brazil, 1962-1982. The exhibition was organized in collaboration with the John Young Museum of Art/University of Hawai’i at Mãnoa and was on view at Galeria da Avenida da Índia between 26 June and 5 September 2021. Edited by Maika Pollack, this volume contains photographic documentation of the exhibited works, introductory texts by Tobi Maier and Maika Pollack, and an essay by Rui Torres.

Catalogue of the exhibition 14-21, a solo exhibition by Duarte Amaral Netto, which was on view at Galeria da Boavista between July 13 and September 26, 2021. The exhibition was curated by João Seguro. This edition contains a preface by Tobi Maier, and essays by João Seguro and architect and researcher Ana Gago, as well as photographic reproductions of the exhibited works.

This publication accompanies João Ferro Martins’ solo exhibition, “Eternally Collapsing Objects”, which was on view at Pavilhão Branco between 12 November 2020 and 24 January 2021. The exhibition was curated by Tobi Maier and the publication consists of a vinyl record and a text booklet featuring a text by Tobi Maier alongside installation views from the exhibition. The vinyl record contains four tracks recorded and mixed by João Ferro Martins.

Catalogue of the exhibition “Fake Sun, Fake Eyes”, a solo exhibition by Élisa Pône, which was on view at Galeria Quadrum between 21st November 2020 and 13th January 2021. The exhibition has been curated by Estelle Nabeyrat.
This publication features photographic reproductions of the works exhibited and a record of their installation.

In this catalogue of the “Lisbon’s Vegetable Gardens. From the Middle Ages to the 21st century exhibition” the Museu de Lisboa contributes to the history of Lisbon’s vegetable gardens and to the reflection on their future, covering topics such as sustainability, sovereignty and food security in the city.

Mark Fisher, cultural critic, blogger (signing under the name K-punk) and influential voice in the debates of the Anglo-Saxon left of the last decade, is still known today for the impact of his first book “Capitalist Realism” (2009).
Throughout 2021, the TBA (Teatro do Bairro Alto) proposed a set of sessions to get to know and think together texts, books, as well as ideas by him.

“Walk, Diana” is a project by Diana Niepce arising from her experience of quadriplegia caused by an accident. An interior narrative based on cruelly real facts, contaminated by the artistic perspective of the author.

This storytelling contest is organised by the Aljube Museum and aims to encourage creative writing and raise awareness of active citizenship amongst youngsters and adults through the sharing of literary projects. The theme of this third edition of the contest was “Censorship”, with the jury made up of Diana Andringa (Journalists’ Union), Miguel Monteiro Barros (Association of History Teachers), Ana Cristina Silva (Portuguese Society of Authors), José Mário Leite (The Pen Club) and Luís Farinha (Aljube Museum).

This catalogue accompanies the exhibition Radial Body, a solo exhibition by Mariana Caló and Francisco Queimadela, which was on view at Galeria da Boavista between 30 September and 1 November 2020, curated by Susana Ventura.

This publication has been published on the occasion of the exhibition velvetnirvana that was on view at Pavilhão Branco between July 19 and September 27, 2020 and was curated by Miguel von Hafe Pérez.

Publication accompanying the homonymous exhibition, shown at Pavilhão Branco between April and June 2021, which featured the work of 26 artists focusing on the aesthetics and politics of textiles.

“Psycho-deflation” means relief from psychic tension, in other words, from stress: the new coronavirus came to finally force us to stop, taking bodies out of circulation and condemning capitalism to death by asphyxiation.
This is the hypothesis from which Berardi’s chronicles start, written between February and May 2020 and published online, in a series of languages. The Portuguese translation was originally commissioned for the Digital Program of Teatro do Bairro Alto, in partnership with Jornal Punkto and the book edition is by Tigre de Papel.

“Our Town” (1938) is a paradoxical text: tough, yet sentimental; everyday, yet cosmic. A persistent classic in American high schools and, at the same time, an important example of experimental theatre.

Following on from the previous volume “Poetas Populares do Fado Tradicional”, the same group of writers now focuses on the most significant lyricists of the style known as Fado-Canção, with biographies, commentary on their most representative lyrics and information on when, where and by whom they were first sung.

Edited within the scope of the exhibition “Jaime Cortesão – Citizen, Patriot, Resistant” seeks to reflect on the politics and resistance of Jaime Cortesão in dialogue with his cultural matrix, mainly forged in Seara Nova  magazine and in radical republicanism.

The artistic work of Manuel Gustavo, Rafael Bordalo Pinheiro‘s firstborn son, remains relatively unknown to the general public today, despite his vast body of graphic and ceramic work. Making use of the research that gave rise to the exhibition “Através do Traço”, held at the Museu Bordalo Pinheiro (Bordalo Pinheiro Museum) in 2013, we remember the man and artist and share some of his most important illustrations.

The publication “Qualquer coisa de Intermédio” accompanies the homonymous exhibition, presented by Catarina Botelho, held at Pavilhão Branco between January and July 2020.

O Corpo, a Sexualidade e o Erótico na Obra de Júlio Pomar is an installation by Salomé Lamas, about the erotic dimension in Pomar’s work. This book reveals aspects of the creative process of Salomé Lamas, as well as other contents.

The “Antes do Início e Depois do Fim: Júlio Pomar e Hugo Canoilas” exhibition is part of a series of exhibitions that the Atelier-Museu holds, every year, that seeks to find the intersection between Júlio Pomar’s work and that of young artists.

With the aim to make Júlio Pomar’s work more accessible – namely for the visually impaired – and within the context of the Júlio Pomar “Portraits” exhibition (2020), interviews conducted by Sofia Passadouro have been published in Braille.

Two interviews, from different moments in time, with different tones and thrusts, together form the foundations – almost an ABC guide – to studying and understanding this artist’s work, as well as his creative process.

This audiobook comes from the triology of performances that Cristina Paiva and Fernando Ladeira have been putting on at libraries, schools, daycare centres, preschools and theatres across the country.  Photos of these performances for young children, drawings by these children, as well as texts written by different actors are also included.

The story of a cat who gets lost from his family at Castelo de São Jorge and receives help from the peacock Jorge. This children’s book includes the following formats: easy-to-read, pictograms, Braille, large print, embossed cover, video-book in Portuguese Sign Language (LGP) and an audiobook which can be accessed via a Quick Response (QR) code.

This bilingual publication complements the exhibition “história secreta da aviação e alguns meteoritos” [secret history of aviation and some meteorites] by Manuel Zimbro, which was on view at Galeria Quadrum, between May 5 and July 7, 2019. The publication consists of a folder containing loose cards with photographs of works and installations views from the exhibition.

Catalogue of the exhibition organised simultaneously at the Quadrum Gallery and Galeria Diferença, between December 2019 and February 2020, with works of Alberto Carneiro, Ana Lupas, Lala Meredith-Vula and Claire de Santa Coloma.

Edited by Galerias Municipais in partnership with Documenta, this exhibition catalogue is dedicated to the “Vaivém” exhibition by artist Bruno Pacheco, which was held at the Galeria Quadrum, between October 2018 and January 2019.

This publication stems from the “Vaivém” exhibition that Bruno Pacheco presented at the Galeria Quadrum in Lisbon, between 11th October 2018 and 13th January 2019, and reproduces one of the thirty-five books on display, in its entirety and in real scale.

Exhibition catalogue accompanying the exhibition featuring artist Grada Kilomba’s work, which was held at the Galeria Avenida da Índia, between 27th October 2017 and 4th February 2018.

This catalogue accompanies the solo exhibition “Almost” Blue by Maria Trabulo, which was on view at Galeria da Boavista between 26 October 2018 and 6 January 2019. Each copy is accompanied by a small-format edition produced by the artist that is similar to the works from the “Wine Dark Sea” series (2018) that were exhibited in the exhibition Almost Blue.

This publication documents the “Stefano Serafin: Arte em Estado de Guerra” exhibition, which was curated by Paulo Pinto and held in Lisbon, at the Galeria da Avenida da Índia, between 8th March and 12th May 2019.

Exhibition catalogue of the group exhibition held at Galeria da Boavista, between 8th February and 21st April 2019.

Exhibition catalogue that accompanied artist Adriana Proganó’s solo exhibition, that was on display at the Galeria da Boavista, between 12th September and 10th November 2019.

The result of an educational project developed and directed by Vasco Araujo, that was implemented and introduced into the DESCOLA program, at the invitation of Galerias Municipais / EGEAC.

Despite belonging to different generations, these two great ceramicists have artistic careers that converge in terms of talent, imagery and humour. The conversation between them falls upon six themes: “Heritage”, “Citations”, “Satire”, “Affinities”, “Confidence” and “Erotica”. The exhibition catalogue includes photographs of the exhibition and of all the artworks on display.

The first volume of the “Cadernos de Bordalo” collection, which intends to disseminate a series of reflections linked to Rafael Bordalo Pinheiro, his work and the times he was living in.
A renowned figure in Lisbon’s cultural scene in the second half of the 19th century, Bordalo’s work is extensive, profound and detailed, inviting a reflection upon the country, the Fado scene, and his place within Lisbon society in the 1800s.

Based on an original and provocative investigation into Bordalo Pinheiro‘s relationship with trees, flowers (including wild ones), gardens and vegetable gardens in the city, the book reveals the almost unknown ecological facet of the famous Portuguese caricaturist and ceramist.

New edition of the book “No Lazareto de Lisboa” by Rafael Bordalo Pinheiro, first printed in 1881. After four years in Brazil, Rafael Bordalo Pinheiro returns to Portugal in 1879. When he arrives in Lisbon, he is forced to quarantine in Lazareto, a building in Porto Brandão, which was meant to take in and disinfect people and objects arriving from places plagued by epidemics or infectious diseases.

Catalogue of the exhibition, held at the Museu de Lisboa -Teatro Romano (October 2020 until March 2021), presenting the results of the archaeological intervention conducted in 2019, which allows us to reconstruct the history of what could have been a Roman temple in ancient Felicitas Iulia Olisipo.

Once again, the Museum of Lisbon challenged Lisbon locals to put up their Saint Anthony throne, transforming the city into one big exhibition room, bringing special colours to the city, during the month of its Popular Saints’ Festival.

From 2020, the Museum of Lisbon – Roman Theatre will now have a magazine published once a year. The name of the publication, Scaena, is a Latin word that means “scene”, or “on stage”. This is a suitable name as it seeks to: put new learnings, different approaches, studies and essays that allow us to learn more and better learn about Lisbon city’s heritage, by putting them on stage.

We now know today, from our own memories and what we’ve come to learn about the history of the Fascist regime, that hundreds of children were brutally separated from their families, or forced to suffer the harsh conditions of prison life where they accompanied the imprisonment of their mothers. This book stems from the memories shared by these children, who weren’t allowed to be children.

In the 1970s, when Iberian dictatorships came to an end, small organisations on the Left of the political spectrum, belonging to Communist parties, gathered a generation’s intelligence and wishes. This Seminar seeks to reconsider their role within the process of democratic transition, in a comparative perspective.

Let’s celebrate the splendour of this theatre and its most important moments over 125 years of history: its relationship with the creative process, with key themes of identity, responsibility and diversity, linking these with successive national and international contexts.

Bilingual exhibition catalogue accompanying the Daniel Blaufuks exhibition that was held at Galeria Pavilhão Branco, between 22nd September and 24th November 2019.

Curated by Sara Antónia Matos, this exhibition is one of a series of exhibitions that the Atelier-Museu holds, every year, that seeks to find the intersection between Júlio Pomar’s work and that of other artists, establishing new relationships between the painter’s work and contemporary art.

At the invitation of the Cultural Center belonging to the Polytechnic Institute of Viana do Castelo, Atelier-Museu Júlio Pomar/EGEAC organised this exhibition that includes a selection of different drawing themes within the artist’s work.

Winner of the 3rd edition of the Atelier-Museu Júlio Pomar / EGEAC 2018-19 Curatorship Award, Marta Rema has collected works in this group exhibition that address the wish to contemplate silence in its many dimensions – corporal, artistic, visual, temporal, political, real and imaginary.

This exhibition reflects upon the way the body, erotica, sensuality and sexuality interweave throughout the artist’s career that spans over more than 70 years, especially in the 1960s and 1970s, when Júlio Pomar’s work dealt more explicitly with these subjects.

The exhibition held in the Tapete de Arraiolos Interpretation Centre’s museum facilities, which displayed works from different periods and takes its name from a text the artist wrote in 1951, drew particular attention to the importance of familiarising yourself with an art piece, as well as the participation of the aesthetic experience in understanding and perception – especially seeing and feeling – within the creative process.

Exhibition catalogue that accompanied artist Maria Capelo’s painting and drawing exhibition, which was held at the Galeria Municipal Pavilhão Branco, between 9th February and 28th April 2019.

Exhibition catalogue for the Antonio Bolota exhibition that was held at Galeria Quadrum, between 2nd February and 14th April 2019, and curated by Sara Antónia Matos. The publication includes works featured in the exhibition, as well as photos of it being set up.

Exhibition catalogue that accompanies the exhibition by artist Carlos Motta, that was on display at Galeria Avenida da Índia, between October 2018 and February 2019. Featuring unpublished essays, the publication presents the exhibition that dealt with important issues such as the oppression of sexual and gender minorities, suggesting alternative interpretations of History, to counter more hegemonic and key narratives.

This exhibition catalogue documents the Rui Sanches exhibition that was held at the Torreão Nascente at Cordoaria Nacional, between 29th September 2019 and 12th January 2020, and curated by Delfim Sardo; and also on display at the Museu Coleção Berardo between 10th October 2019 and 12th January 2020, curated by Sara Antonia Matos. It features essays written by both curators, a short biography about the artist and a selected bibliography about his work.

Exhibition catalogue that accompanies the João Marçal exhibition, which was held at the Galeria Municipal Pavilhão Branco, between 10th May and 30th September 2018. The exhibition was curated by Sara Antonio Matos and Pedro Faro, assembling a selection of different format paintings that were painted over many years, some of which were created especially for the Pavilhão Branco.

Exhibition catalogue edited for the Runo Lagomarsino exhibition, the artist’s first solo exhibition in Portugal, which was held at the Galeria Avenida da Índia, between July and September 2018.

This book was written within the context of the “história secreta da aviação e alguns meteoritos” exhibition that was on display at the Galeria Quadrum, in 2019. It reproduces the comic strips that were left unfinished in the early ‘80s, when Manuel Zimbro lived in Paris.

This publication represents the first anthology of texts by Jota Mombaça. This publication concluded the project “Ocupação Jota Mombaça”, which took place at Galeria Avenida da Índia from 27th through 30th September 2018.

Exhibition catalogue for the “Prospecto. Princípio, Meio e Ultimação” exhibition, by André Guedes, that was open to the public at the Galeria Pavilhão Branco, at the beginning of 2017.

This publication documents the exhibition of the same name, which was open to the public at the Galeria da Boavista, between 10th May and 25th August 2019. Special edition, as every copy has a different note written by the artist.

Benjamin Rabier (1864-1939) was one of the most important illustrators in France at the beginning of the 20th century. He was chosen to illustrate “Romance da Raposa” written by Aquilino Ribeiro (1885-1963) and published in 1924. The book accompanied the exhibition held at the Bordalo Pinheiro Museum, featuring the original illustrations.

Following the “Formas do Desejo” exhibition, which launched the Bordalo Pinheiro Museum’s ceramics collection, a series of talks were held with different experts, which were transcribed in this book.

A comic that portrays Rafael Bordalo Pinheiro’s personal and artistic journey, with great historical accuracy. The book is divided up into chapters, with each chapter being illustrated by a different artist, resulting in an animated story.

Paula Rego always confessed her admiration for Rafael Bordalo Pinheiro. This book unveils the influence Bordalo’s work had on the painter, proving that you can compare artistic imageries a century apart. This publication accompanied the exhibition that commemorated the centenary of the Bordalo Pinheiro Museum’s inauguration, in collaboration with the Casa das Histórias Paula Rego.

The Museu da Marioneta launches a series of thematic catalogues about its collections with this edition. Dedicated to China, this volume explores the exciting culture of Chinese puppet theatre, featuring puppets, shadows and masks from North, South and Western China, giving us a peek into the culture and diversity of Chinese performing arts.

The past and future of Torreão Poente in Praça do Comércio, one of Lisbon’s architectural and city symbols. The story begins in the early 16th century, when Manuel I of Portugal ordered a new royal palace to be built and ends with the assumption of Torreão Poente as part of the Museum of Lisbon.

The royals entering Lisbon with King Philip III was the subject of an anonymous painting that now belongs to the Schloss Weilburg (Germany) collection. The book brings together contributions from different experts in their study of this painting and the historic moment it was created in.

Photobiography of Irisalva Moita, most of the photographs are unpublished.

This exhibition uncovers the role of religious minorities and foreign residents in the construction of Lisbon’s image, between the Middle Ages and the First Republic. Even today, there are impressive and surprising testimonies from this vast population that lived in Lisbon, about a city that was made of rejection, segregation and expulsion, but also tolerance, miscegenation and integration.

For centuries, manifestations of public or private devoutness on decorated tiles were a way to the protect the house, family or different institutions, by invoking one or more saints that the person ordering them wanted. This book intends to take the reader on a journey of one of the most characteristic tiles on the city’s buildings.

During the Festas de Lisboa’18, 153 thrones were scattered across doors and windows in the city’s 23 parishes, thereby recovering a tradition and very unique popular expression that dates back to the 18th century. The book features photos of these thrones.

Project developed as part of the work done by interns and volunteers at the Museum of Lisbon – Roman Theatre.

The places and phases of Saint Anthony’s life, in Portugal and in Italy. The historic and human roots of the unrivalled devotion of Il Santo. Featuring texts and photos, this book outlines the journey of a man who has been able to spark hope over centuries, beloved by both the devout and non-believers.

This book contains a valuable and sublime photographic collection, which presents a panorama view of the less well-known spiritual connection the military had for Saint Anthony. It also explains military toponomy and architecture from a religious perspective that takes into account their faith and devotion for Saint Anthony.

First publication to be edited by the Saint Anthony Research Centre at Museu de Lisboa – Santo António, which brings together the main articles written by the most important Portuguese researcher about Saint Anthony, Henrique Pinto Rema. The foreword is written by Guilherme de Oliveira Martins.

In 2019, the Museum of Aljube Resistance and Freedom promoted the second edition of the Stories Competition, in collaboration with different organisations and celebrities. Under the subject “Os Clandestinos”, the competition intended to promote participatory citizenship, creative writing and reflections on the Resistance under a dictatorship and, more especially, upon life in Clandestinity.

Commissioned by Pedro Caldeira Cabral, this exhibition catalogue accompanies the exhibition held at the Museu do Fado in 2019, which took a look at the fascinating history of the Portuguese guitar, from the 18th century up until the present day. The exhibition displayed over 50

Exhibition catalogue about José Pracana’s vast personal collection: photographs, newspapers, albums, documents, letters, musical instruments, awards, badges of honour and archived images of the TV shows he hosted. The reproduction of his retreat in Ponta Delgada also allows for a greater insight into the unique environment of the Fado gatherings that were once promoted there.

The Parreirinha de Alfama is one of the Fado houses with the longest history in Lisbon city, it has been a retreat for Fado heavyweights ever since 1939. In order to celebrate the past 80 years, the current management of Parreirinha de Alfama have decided to launch a book about the finest traditional delicacies, in partnership with the Museu do Fado.

This group photography exhibition is the outcome of the Colectivo 4:5 Project (academic year 2017/2018), working in partnership with the Museu do Fado. The authors on display here capture the Fado universe with their lenses.

This is the story of a man who, compensating for his own failure, manipulates a group of people to sit in a place together and believe in something that isn’t true. The book he’s written predicts it all: the destruction of this world, the start of a new one, and all the words we’ll speak until the end.